Black Music Month: Who Owns the Beat? Understanding Music Copyright and Royalties

Black artists have shaped the sound of every genre from gospel to hip-hop to house. Yet too often, they’re left fighting for ownership of the very work they create. During Black Music Month, we’re breaking down how artists, producers, and songwriters can protect their rights and revenue.

What You Need to Know:

Who owns the masters?

• The difference between the sound recording (masters) and the composition (publishing)

• Why “work-for-hire” language in producer or label contracts matters

Royalties 101:

• Mechanical, performance, sync, and digital royalties

• PROs vs. SoundExchange vs. The MLC

Common pitfalls for emerging artists:

• Splits never being agreed on in writing

• Giving away publishing without knowing it

• Not registering songs with PROs

How to take control:

• Set up your own publishing entity

• Register copyrights early

• Negotiate clear split sheets and use split management platforms

Need help reviewing your producer agreement or making sure you’re collecting everything you’re owed? Our entertainment law team is here for you.